Film Festival Alliance

Monthly Archives: August 2015

The American Film Institute is seeking candidates for Head Programmer for its annual documentary film festival, AFI DOCS. AFI DOCS is a five-day international documentary film festival that takes place at landmark venues in Washington, DC, and the world-class AFI Silver Theatre and Cultural Center in Silver Spring, MD.

The Head Programmer is responsible for curating film programs for the annual festival and year-round programming, overseeing the festival’s film submissions and selection process, as well as editorial content for AFI DOCS publications and other communication. The Head Programmer also collaborates with the AFI DOCS team on special events during the festival and throughout the year.

For a detailed job description, qualifications and application information, please visit this link.

The reviews are rave, the company is spectacular, and the shared knowledge is priceless.

Join festival colleagues from across the country (and beyond) for the only Festival Conference you need! Programming is set for the 2016 Art House ConvergenceJanuary 18-21 in Midway, UT, and we think you will find the far-ranging topics to be right up your alley.

Registration is now open!

AHC flyer 2AHC flyer 3AHC flyer 4


In the meantime, follow the Festival Alliance on Facebook and Twitter for ongoing conversations…

Thanks to The ARTery for previewing this week’s Art House Convergence Regional Conference, held at the Coolidge Corner Theatre in Brookline, MA.

Excerpt:

One notable area of growth is among film festival leadership. Brian Tamm and Nancy Campbell, who respectively head up the executive function and program of the Independent Film Festival Boston (IFFBoston), attended this year’s Art House Convergence because of its track designed for festival staff by another national group, this time of film festivals, called IFP Festival Forum.

Festival Forum (currently a project of Independent Film Project; this fall it will become an independent nonprofit called Film Festival Alliance) joined forces with Art House Convergence and began programming at the annual gathering in 2014. This week marks the first time the entities will partner for a regional conference.

Collaborating with Festival Forum makes a lot of sense to Collins, who explains, “There’s karmic overlap and practical overlap, in terms of most festivals are housed in art house venues.”

Read the whole article here.


UPDATE:

We had a fabulous time in Boston—special thanks to the Brian Tamm, Nancy Campbell, and Anna Feder for making local arrangements (dinner! karaoke!) on the ground. And the entire Coolidge Corner Theatre staff made us all feel welcome in their classically cinematic digs.

One highlight was the Festival Track Mixer, where we saw some old friends and (hopefully!) forged some new collaborations.

AHC Boston 1 AHC Boston 2 AHC Boston 3

We look forward to seeing many of you at IFP Film Week and the national Art House Convergence in January.

In the meantime, follow the Alliance on Facebook and Twitter for ongoing conversations, and check out the Film Festival Organizers private Facebook group, where pertinent questions are asked and answered everyday. Join us!

Happy summer, fellow festival folks! As some of us find time to relax, others look at summer to find new ways to market the exciting work we do.

To that end, some of you may have noticed the stellar Annual Report recently disseminated by the Seattle International Film Festival. For our July 2015 webinar, we asked Carl Spence talk us through why the Annual Report is such a solid tool for SIFF.

Case Study Webinar: Annual Report as Ultimate Marketing Tool

Annual reports are all too frequently dry summaries presented to boards, then buried on a website. SIFF’s 2014 Annual Report is a masterful example of using the year-end report as a full bore marketing tool, hitting all stakeholder groups and utilizing all the visual and technical mobile bells and whistles. This was also SIFF’s 40th Anniversary. Carl Spence walked us through the strategy for this Annual report, and how it compared to reports in previous years.

In case you missed it, here’s the archived video of the online presentation. (Note: due to technical difficulties, some portions are missing; we apologize, but we think there’s still enough “there” there to give you the gist.)

Other things we considered included:

  • How long did it take to create? Did you outsource or go DIY style?
  • What service/design/web developer did you use?
  • What went into your creative brief/creative direction?
  • What other examples inspired you?
  • How involved was the board in the process?
  • What advice would you give to festivals for collecting and maintaining the data and details that count if they are doing something like this?
  • How important was the anniversary to the process?
  • What has been the feedback?
  • How are you using this beyond the blast?

We hope you can join us at our next webinar. In the meantime, follow the Alliance on Facebook and Twitter for ongoing conversations…